'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
'Akomfrah finds a new and quietly moving significance in Hall's own life story'
- Peter Bradshaw, The Guardian ****
'A fascinating visual tapestry of archive material' -Tom Dawson, Total Film ****
'It’s a lot of material, fluidly edited by Nse Asuquo into a sustained narrative...' - Guy Lodge, Variety
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